In the pilot episode of HBO’s newest show Looking, Jonathan Groff’s character Patrick struggles through one of the oldest sitcom tropes: the ill-fated first date. Traversing the typical subjects of past relationships, career struggles and the uncertainties of wine bar appetisers, Patrick’s incompatible companion soon decides to bail without even the good manners to split the bill evenly. (Not classy, cheapskates of the world.) However Looking gives this well-worn depiction of the single life a noticeable twist: both characters are gay men.
While claiming that non-heterosexual romance doesn’t prominently feature on modern television may sound laughable to modern audiences, it’s a reality many queer viewers have come to accept without even realising. LGBT representation in modern media is undeniably progressive in 2014; shows such as Glee, Modern Family and Brooklyn Nine-Nine all feature queer characters and narratives as part of the fabric of modern life. However, all these shows seem to promote inclusion with a catch: gay characters can be get screen time as long as they don’t act on their sexual desires.